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	<title>Comments on: Mahler&#039;s Markings</title>
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	<description>Comments and reviews of opera, music, and medicine</description>
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		<title>By: Gerhart Wiesend</title>
		<link>http://medicine-opera.com/2009/04/mahlers-markings/#comment-5548</link>
		<dc:creator>Gerhart Wiesend</dc:creator>
		<pubDate>Sun, 11 Dec 2011 09:05:39 +0000</pubDate>
		<guid isPermaLink="false">http://medicine-opera.com/?p=2746#comment-5548</guid>
		<description>Hilarious, thank you. Only one correction needed: a &quot;Dampfer&quot; is a steamer, while a &quot;Dämpfer&quot; or &quot;Daempfer&quot; is a muffler, e.g. on a violin.
This reminds me of an anecdote about the Vienna Philharmonic Orchestra which is to be conducted by a new, young and ambitious conductor. He gives them an endless list of detailed instructions on how to play. When he has finally ended, one violinist says to his neighbor: &quot;Vier Kaffee&quot; (four coffees). What does that mean?
Four Philharmonics musicians sit in a Viennese coffee house and let the waiter know which kind of coffee they wish to have: one freshly roasted mocca, one mild Arabica, one decaffeinated and one Viennese melange. The waiter notes each order meticulously and walks away to the counter saying: four coffees.
It is also known that during less important performances Philharmonics musicians hire a student from a music school to take their place in the orchestra. They can have a wine in the Prater, and the student is flattered to be able to play in e.g. the Staatsoper where the Philharmonics are the resident orchestra. During a Hoffmann opera (76th performance of a probably pre-War production http://www.myway.de/hoffmann/07-wien.html ) which I attended there in 2007 there must have been many students in the pit since this was one of the worst orchestra perfomances I have ever heard in any opera. Only the Cologne opera´s Gürzenich Orchester succeeded in playing worse during a dernière a year later.</description>
		<content:encoded><![CDATA[<p>Hilarious, thank you. Only one correction needed: a &#8220;Dampfer&#8221; is a steamer, while a &#8220;Dämpfer&#8221; or &#8220;Daempfer&#8221; is a muffler, e.g. on a violin.<br />
This reminds me of an anecdote about the Vienna Philharmonic Orchestra which is to be conducted by a new, young and ambitious conductor. He gives them an endless list of detailed instructions on how to play. When he has finally ended, one violinist says to his neighbor: &#8220;Vier Kaffee&#8221; (four coffees). What does that mean?<br />
Four Philharmonics musicians sit in a Viennese coffee house and let the waiter know which kind of coffee they wish to have: one freshly roasted mocca, one mild Arabica, one decaffeinated and one Viennese melange. The waiter notes each order meticulously and walks away to the counter saying: four coffees.<br />
It is also known that during less important performances Philharmonics musicians hire a student from a music school to take their place in the orchestra. They can have a wine in the Prater, and the student is flattered to be able to play in e.g. the Staatsoper where the Philharmonics are the resident orchestra. During a Hoffmann opera (76th performance of a probably pre-War production <a href="http://www.myway.de/hoffmann/07-wien.html" rel="nofollow">http://www.myway.de/hoffmann/07-wien.html</a> ) which I attended there in 2007 there must have been many students in the pit since this was one of the worst orchestra perfomances I have ever heard in any opera. Only the Cologne opera´s Gürzenich Orchester succeeded in playing worse during a dernière a year later.</p>
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		<title>By: Peanut</title>
		<link>http://medicine-opera.com/2009/04/mahlers-markings/#comment-4732</link>
		<dc:creator>Peanut</dc:creator>
		<pubDate>Sat, 27 Aug 2011 03:08:13 +0000</pubDate>
		<guid isPermaLink="false">http://medicine-opera.com/?p=2746#comment-4732</guid>
		<description>I guess to get this I should not actually know any German at all. That aside, I can see the humor.</description>
		<content:encoded><![CDATA[<p>I guess to get this I should not actually know any German at all. That aside, I can see the humor.</p>
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		<title>By: john e dreslin</title>
		<link>http://medicine-opera.com/2009/04/mahlers-markings/#comment-3430</link>
		<dc:creator>john e dreslin</dc:creator>
		<pubDate>Fri, 06 May 2011 12:07:57 +0000</pubDate>
		<guid isPermaLink="false">http://medicine-opera.com/?p=2746#comment-3430</guid>
		<description>I read these over and over, and could not stop laughing.  Thanks for lightening my day.</description>
		<content:encoded><![CDATA[<p>I read these over and over, and could not stop laughing.  Thanks for lightening my day.</p>
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		<title>By: Musical term - Classical Music Forums - Talk Classical</title>
		<link>http://medicine-opera.com/2009/04/mahlers-markings/#comment-3168</link>
		<dc:creator>Musical term - Classical Music Forums - Talk Classical</dc:creator>
		<pubDate>Sat, 02 Apr 2011 06:43:14 +0000</pubDate>
		<guid isPermaLink="false">http://medicine-opera.com/?p=2746#comment-3168</guid>
		<description>[...] Originally Posted by wingracer   I have no problem with just writing it out in english but there are certain advantages to using the correct italian markings. Mainly, the fact that any professional musician in the world will know exactly what you intend no matter what language they speak. It&#039;s not just tradition, it is also practical.    Mahler&#039;s pervasive markings in German often require lists of translations to be handed out to musicians for them to write into their parts. This practice has spawned some pretty funny deliberate mistranslations:  http://medicine-opera.com/2009/04/mahlers-markings/ [...]</description>
		<content:encoded><![CDATA[<p>[...] Originally Posted by wingracer   I have no problem with just writing it out in english but there are certain advantages to using the correct italian markings. Mainly, the fact that any professional musician in the world will know exactly what you intend no matter what language they speak. It&#039;s not just tradition, it is also practical.    Mahler&#039;s pervasive markings in German often require lists of translations to be handed out to musicians for them to write into their parts. This practice has spawned some pretty funny deliberate mistranslations:  <a href="http://medicine-opera.com/2009/04/mahlers-markings/" rel="nofollow">http://medicine-opera.com/2009/04/mahlers-markings/</a> [...]</p>
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		<title>By: Pery Worster</title>
		<link>http://medicine-opera.com/2009/04/mahlers-markings/#comment-2790</link>
		<dc:creator>Pery Worster</dc:creator>
		<pubDate>Thu, 03 Feb 2011 20:16:28 +0000</pubDate>
		<guid isPermaLink="false">http://medicine-opera.com/?p=2746#comment-2790</guid>
		<description>Da frage ich mich beim groben Uberfliegen     schon, ob man   doof ist. Herzlichen Dank fur Ihre Erklarungen</description>
		<content:encoded><![CDATA[<p>Da frage ich mich beim groben Uberfliegen     schon, ob man   doof ist. Herzlichen Dank fur Ihre Erklarungen</p>
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		<title>By: The Human Creative Spirit&#8230; &#171; Se Vuoi Pace</title>
		<link>http://medicine-opera.com/2009/04/mahlers-markings/#comment-151</link>
		<dc:creator>The Human Creative Spirit&#8230; &#171; Se Vuoi Pace</dc:creator>
		<pubDate>Tue, 02 Jun 2009 18:04:52 +0000</pubDate>
		<guid isPermaLink="false">http://medicine-opera.com/?p=2746#comment-151</guid>
		<description>[...] The Human Creative&#160;Spirit&#8230;   Published June 2, 2009   opera 0&#160;Comments       Mahler’s Markings « Medicine and Opera. [...]</description>
		<content:encoded><![CDATA[<p>[...] The Human Creative&nbsp;Spirit&#8230;   Published June 2, 2009   opera 0&nbsp;Comments       Mahler’s Markings « Medicine and Opera. [...]</p>
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		<title>By: Laurence</title>
		<link>http://medicine-opera.com/2009/04/mahlers-markings/#comment-150</link>
		<dc:creator>Laurence</dc:creator>
		<pubDate>Fri, 08 May 2009 22:20:58 +0000</pubDate>
		<guid isPermaLink="false">http://medicine-opera.com/?p=2746#comment-150</guid>
		<description>Glorious. We had similar fun in the Halle Choir with Mahler 2- especially &quot;Slowing down but with a sense of
speeding up&quot; and &quot;Somewhat louder, though still inaudible as before&quot;...

Although you missed out &quot;Auferstehen&quot;- you should have stood up ten bars ago...!</description>
		<content:encoded><![CDATA[<p>Glorious. We had similar fun in the Halle Choir with Mahler 2- especially &#8220;Slowing down but with a sense of<br />
speeding up&#8221; and &#8220;Somewhat louder, though still inaudible as before&#8221;&#8230;</p>
<p>Although you missed out &#8220;Auferstehen&#8221;- you should have stood up ten bars ago&#8230;!</p>
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		<title>By: Catheryn Dowd Kutsch</title>
		<link>http://medicine-opera.com/2009/04/mahlers-markings/#comment-149</link>
		<dc:creator>Catheryn Dowd Kutsch</dc:creator>
		<pubDate>Wed, 06 May 2009 20:17:33 +0000</pubDate>
		<guid isPermaLink="false">http://medicine-opera.com/?p=2746#comment-149</guid>
		<description>I&#039;m in the middle of a run of SIEGFRIED right now in Washington, DC. This posting is too funny (and certainly applies to more than Mahler). At least I try to think funny when everything in Wagner goes &quot;slowly&quot;. Especially Act 3.</description>
		<content:encoded><![CDATA[<p>I&#8217;m in the middle of a run of SIEGFRIED right now in Washington, DC. This posting is too funny (and certainly applies to more than Mahler). At least I try to think funny when everything in Wagner goes &#8220;slowly&#8221;. Especially Act 3.</p>
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		<title>By: Marjorie Talvi</title>
		<link>http://medicine-opera.com/2009/04/mahlers-markings/#comment-148</link>
		<dc:creator>Marjorie Talvi</dc:creator>
		<pubDate>Wed, 06 May 2009 16:22:41 +0000</pubDate>
		<guid isPermaLink="false">http://medicine-opera.com/?p=2746#comment-148</guid>
		<description>This blog post is fabulous. Not only because it makes us &quot;professionals&quot; laugh while deciphering Mahler&#039;s markings, but I learned from your orchestra website how well-trained players from a multitude of fields can come together to form a spirited community in classical music. Cheers!</description>
		<content:encoded><![CDATA[<p>This blog post is fabulous. Not only because it makes us &#8220;professionals&#8221; laugh while deciphering Mahler&#8217;s markings, but I learned from your orchestra website how well-trained players from a multitude of fields can come together to form a spirited community in classical music. Cheers!</p>
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		<title>By: Chana</title>
		<link>http://medicine-opera.com/2009/04/mahlers-markings/#comment-147</link>
		<dc:creator>Chana</dc:creator>
		<pubDate>Wed, 06 May 2009 15:45:53 +0000</pubDate>
		<guid isPermaLink="false">http://medicine-opera.com/?p=2746#comment-147</guid>
		<description>I now need a doctor, because I&#039;ve hurt myself laughing!</description>
		<content:encoded><![CDATA[<p>I now need a doctor, because I&#8217;ve hurt myself laughing!</p>
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