Below are the program notes I wrote for the Lubbock Symphony Orchestra’s performances of Verdi’s La Traviata March 2 and 3, 2012. La Traviata was Giuseppe Verdi’s 19th opera. Though the composer was dissatisfied with its initial run, the opera rapidly established itself as his most popular work. Indeed, it may be the most popular opera even…
The Lubbock Symphony Orchestra will present two concert performances of Verdi’s opera on March 2 and 3. Amanda Hall is Verdi’s noble courtesan, Tenor Scott Ramsay is her overwrought lover Alfredo, and baritone Ashley Prewett is his father Germont. Thomasz Golka will conduct the LSO and the Lubbock Civic Chorale.
If a knowledgeable opera goer were asked to name the most demanding and beautiful bel canto aria written for the soprano voice “Casta diva” from Bellini’s Norma or “Bel raggio lusinghier” from Rossini’s Semiramide or perhaps “Regnava nel silenzio” from Donizetti’s Lucia Di Lammermoor might head the list. But to my ears nothing is as beautiful and…
If you’re in the New York area September 18 and 19 you might want to attend the One World Symphony Orchestra’s Verdi sing along. For details go here.
Verdi’s Il Trovatore is the transcendental Italian opera of the first half of the 19th century. It is the culmination of that style of operatic writing introduced by Rossini and further advanced by Bellini, and most importantly for Verdi’s development Donizetti. That Verdi was moving in a new direction was shown by Rigoletto (1851). That…
Leonard Warren was born April 21, 1911. No baritone within living memory has matched him in the great Verdi baritone roles Below is the big second act aria from the most challenging of Verdi’s baritone roles – the title character from Rigoletto. He sang this part 89 times with at the Met both in New…
The young Korean tenor Yonghoon Lee who made his debut at the Met last month to much acclaim in the title role of Verdi’s Don Carlo appeared for the first time on the Met’s Saturday afternoon broadcasts yesterday – again as Don Carlo. His voice was much more appropriate for the part than was the over matched Roberto Alagna who sang most of the…
Verdi’s flawed, but towering, masterpiece Don Carlo was presented in HD Saturday December 11. There is no definitive version of the opera. Verdi authorized so many different variations on his original that it’s up to each company to choose how they’ll mount the work. Five acts, four acts, French, Italian, a ballet, no ballet, a very long list…
Verdi’s apotheosis to misery and self pity is one of opera’s greatest arias. The recitative which starts the scena is better than most composers’ best arias. The aria itself is sublime. It requires an extraordinary tenor to bring it off. For no reason other than I like it so much here are three performances of…
First performed in 1847, Verdi’s Macbeth took 112 years to reach New York’s Metropolitan Opera. Part of the interval was unavoidable as the house didn’t open until 1883. When the work finally did reach the Met the company made up as much as possible for they delay with a superlative production. Verdi’s 10th opera was…
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