Tag Archives: Massenet

Manon in HD 2019

In 1731, Antoine François Prévost published his novel L’Histoire du chevalier des Grieux et de Manon Lescaut. It served as the model for every fallen woman story, play, ballet, or opera that succeeded it. Two of the operas based on the novel are in the standard operatic repertory. Massenet’s Manon was up for its second at bat…


Read the full entry

Cendrillon in HD

The Met’s current run of Massenet’s opera is the first time the company has performed the French composer’s version of the Cinderella story. Laurent Pelly’s production originated in 2006 at the Santa Fe Opera as a vehicle for Joyce DiDonato who also starred in the current mounting of the opera. In the ensuing 12 years…


Read the full entry

More on Je Crois Entendre Encore

My post on Je crois entendre encore has had a lot of views since it first appeared. I recently received the comments below from Tom Herz of San Francisco. I found them so insightful that I thought they deserved a post of their own. NK Seeing as how you posted this over 2 years ago,…


Read the full entry

Manon in HD – Crazy Stupid Love

The Metropolitan Opera transmitted its penultimate HD telecast of this season – Massenet’s Manon – on Saturday April 7, 2012. Manon is the most French opera I can think of. It’s almost like an opera Debussy would have written had he been able or inclined to write boffo arias and duets. This new production was staged by Laurent Pully who…


Read the full entry

Pourquoi Me Réveiller?

Werther is Massenet’s masterpiece. It’s an ode to self pity. It and Manon are the only operas, out of more than 30 by Massenet, that are firmly in the standard repertory. The opera, based on Goethe’s novel The Sorrows of Young Werther, depicts its protagonist’s unsuccessful and ultimately suicidal love for his friend’s fiance and then wife. If Werther had…


Read the full entry

The Met's Thaïs in HD

Jules Massenet’s opera Thaïs was premiered in 1894. Since then it has been a little beyond the frontier of the standard operatic repertoire. It’s periodically revived for star sopranos. The Met’s current production is a vehicle for Renée Fleming. Without her there would be little reason to mount the opera. While it has moments that…


Read the full entry