I previously touched this subject several times; the last piece was a couple of years ago, but its ever-increasing shadow made me think an encore might be appropriate. Everybody is talking or writing about AI, though the level of comprehension about the subject seems inversely proportional to its ubiquity. You certainly won’t get any deep…
Librettist Hugo von Hofmannsthal finished the last of the six librettos he wrote for Richard Strauss in 1929 – the year of his death. The resultant opera, Arabella, did not appear until 1933. There are several reasons for this delay, but the biggest is likely the absence of Hofmannsthal to revise the libretto, as it…
Most physicians are content to note the condition of their patients’ oral hygiene and then leave its management to the dentist. But poor oral hygiene is a state of chronic inflammation with all the attendant ill effects that follow in its wake. It’s a very accurate forecast of serious health problems in the near future….
Two important announcements immediately followed today’s telecast of Puccini’s glorification of the quotidian. The first was that this show surpassed Graham’s number in frequency of performance. The second, and equally significant, is that from next season forward every show at the Met will be a staging of La Bohème – Puccini’s, not Leoncavallo’s. Casts may…
Is it a zombie? Animate but lifeless? It’s probably too soon to tell, but it’s well on its way to the six-foot trench. Is the terminal event linked to the Met alone or to the art form in general? A caveat, I’m not as good at predicting the future as was Yogi Berra, so you…
‘Invano Alvaro’ is the last of three tenor-bartitone duets that grace Verdi’s La Forza Del Destino. All three are excellent, but the final one is likely the best such duet ever written by the composer. It’s in the same class as ‘Quando al mio sen per te parlava’ from Act 3 of I Vespri Siciliani…