Sunday was the 100th anniversary of the death of the last great master of Italian opera – Giacomo Puccini. So great is the composer’s hold on opera’s audience that of the seven most performed operas at the Met three are by Verdi, three by Puccini – the remaining one is Carmen. There is nothing I…
Puccini’s political melodrama was presented at the Met for the 1017th time. This performance was the fourth presentation of the opera on the Met’s HD series. All three leads sang their roles for the first time at the Met in this season’s run. David McVicar’s traditional staging works very well. Presenting a Puccini opera as…
Puccini’s Tosca has been an audience favorite since its premiere in 1900. It has everything one could ask for in an opera: beautiful and dramatically apt music, a gripping story that wastes not a line or note, and one of opera’s most spectacular endings. Tosca, an operatic diva, jumps from the parapet of the Castel…
Puccini’s second opera Edgar (accent on the second syllable) was first performed at La Scala in 1889. It was adapted from a verse play by Alfred de Musset. Set in 14th century Flanders it describes the contrast between the saintly and virginal Fidelia and the wildly sensual Tigrana. Not surprisingly Tigrana lights the passion fires…
Puccini’s first work for the stage was Le Villi (best translated as The Fairies). It is based on the same story as Adam’s ballet Giselle. Puccini’s opera, with dancing, takes little more than an hour. It is a slender work with only three characters – Gulielmo the head forester, Anna his daughter, and Roberto her…
No composer ever wrote a better opera than Puccini’s sad tale of love and abuse set in early 20th century Japan. The late Anthony Minghella’s production has been regularly staged at the Met since it opened the season in 2006. I was at that first performance and liked its colorful and spare staging except for…
Today’s HD telecast of Puccini’s afternoon off – La Rondine – was a repeat of the production of 2009 but with a different cast. The composer’s attempt to write an Italian opera vaguely in the style of a Viennese operetta contains a lot of beautiful music in the service of a work that’s not close…
La Rondine (The Swallow) is the 8th of Puccini’s 12 operas. It is the least performed of his mature works. It was commissioned in 1913 by Vienna’s Carltheater. They wanted a lighter and more entertaining opera in the style of Strauss’s Der Rosenkavalier. The result was more in the style of Lehar with touches of…
Below is a link that will download a PowerPoint presentation I gave before last night’s performances of Madama Butterfly by the Lubbock Symphony Orchestra. To use it download all the files and put them in the same folder. To hear the sound excerpts click on the sound icon on the slides that are associated with music. They are…
Below are the program notes I wrote for the Lubbock Symphony Orchestra’s upcoming performance of Madama Butterfly – Nov 11. The final version of the notes that appears in the program may be an edited version of what’s below. The four principals are: Cio-Cio-San: Yunah LeeSuzuki: Kristen ChoiPinkerton: Bryan HymelSharpless: Zachary Nelson Few works of art have both…