Category Archives: Wagner
Finale 22 – Die Walküre
Written by Neil Kurtzman | 5th March 2020The end of the last act of Wagner’s second Ring opera reaches such an exalted level of artistic achievement that one is almost ready to overlook the awfulness of the personality that created it. No conductor since the beginning of the recording era interpreted Wagner’s music with the skill and insight that was displayed by…
› Read the full entry
Operas in Which Everyone Dies
Written by Neil Kurtzman | 19th August 2019Death in opera is a frequent event. But there aren’t that many operas in which everyone goes to the final reward. I’m defining everyone as all of the principal roles. Here are five. I’m sure if I dug a little deeper or thought a little more effectively that I could find more. Addition to this…
› Read the full entry
Die Walküre in HD 2019
Written by Neil Kurtzman | 30th March 2019Die Walküre is the best of Wagner’s four Ring operas. How do I know? Well, I can hear and the numbers also tell me so. Giuseppe Verdi was not only opera’s greatest composer, but also came up with the best system of evaluating the worth of an opera. “Look to the box office,” he said….
› Read the full entry
Court Rules Wagner’s Music Dangerous to Health
Written by Neil Kurtzman | 26th April 2018I written about the medical danger to health associated with Parsifal, now a British court has added Die Walküre to the list of hazardous Wagner operas. Violist Christopher Goldscheider convinced the court that playing in a cramped orchestra pit during a 2012 rehearsal of the opera subjected him to a noise level which resulted in “acoustic…
› Read the full entry
Siegfried Wagner – The Impossible Dream
Written by Neil Kurtzman | 8th January 2018Suppose you were the son of Richard Wagner and the grandson of Franz Liszt – would the chromosomal burden be too much to bear? We can prove the question by examining the career of Siegfried Wagner (1869-1930). He was born to Richard and Cosima Wagner (1837-1930). Cosima was the illegitimate daughter of Franz Liszt. The…
› Read the full entry
Recording of the Week – Birgit Nilsson 10 CD Set
Written by Neil Kurtzman | 5th September 2016Birgit Nilsson (1918-2005) was one of the vocal marvels of the 20th century. No recording, and she made many, can come close to the impact she made in performance. A voice of limitless power and reserve, she could be heard over the loudest orchestral din. Yet she could modulate her tone to whatever the score…
› Read the full entry
Recording of the Week: Lauritz Melchior Collection
Written by Neil Kurtzman | 31st March 2016Lauritz Melchior (1890-1973) was the great heldentenor of the first half of the 20th century. Toscanini called him Tristanissimo, which is also the name of his authorized biography. He sang over 500 performances at the Met where his career was mainly made, though he did sing extensively elsewhere. Born in Denmark, he became an American…
› Read the full entry
Illicit Love
Written by Neil Kurtzman | 20th April 2015Opera abounds in love duets. Here are three that define both their genre and their time. All three involve a man (a tenor, of course) in love, or in lust in the last example, with another man’s wife. Verdi’s Un Ballo in Maschera and Wagner’s Tristan und Isolde were written about the same time – the…
› Read the full entry
Siegfried in HD – Walking the Planks
Written by Neil Kurtzman | 6th November 2011Before going to a performance of Wagner’s third Ring Cycle opera you should wear comfortable shoes, loose clothing, and drink no fluids starting six hours before the curtain. Thus prepared I got through Siegfried without losing consciousnesses more than two or three times. In fact I enjoyed the performance. Robert Lapage’s Rube Goldberg set consisting of a couple of dozen planks driven by…
› Read the full entry
Das Rheingold in HD
Written by Neil Kurtzman | 10th October 2010On Saturday October 9 the Metropolitan Opera presented its first HD telecast of the 2010-11 season with its new production of Wagner’s Das Rheingold, the opera that opened the Met’s current season. Robert Lepage’s production which uses computerized projections, shifting platforms, and flashy lighting has attracted much attention. The set which is little more than…
› Read the full entry
- RSS feeds
- Subscribe via email
- Follow Kurtzman on Twitter
- Connect with Kurtzman on Facebook
Recommend this site on Facebook:
Recent Posts
Top Posts New
Recent Comments
- Operafilly: My future husband was a man of many academic passions and others. Worldly too, the blitz, London,...
- Operafilly: If only we could tax the government when it is so irresponsible. Here in Taxifornia its far worse. Seems...
- Stephen Kepple: Good job. This is a fine essay on the current hysteria and it captures my own thoughts well. By...
- Musicguy: What about Freddie Mercury? He is undoubtedly one of the greatest baritones.
- Neil Kurtzman: OK. I’ll do a piece on Scarpia. Need to think a bit about it first.
About Neil Kurtzman
Neil A Kurtzman MD is the Grover E Murray Professor Emeritus and University Distinguished Professor Emeritus, Department of Internal Medicine at Texas Tech University Health Sciences Center in Lubbock. He has combined careers in clinical medicine, education, basic research, and administration for more than 30 years.› Read the biography
› Archives: Older posts and additional material
