Category Archives: Wagner
Finale 40 – Götterdämmerung
Written by Neil Kurtzman | 9th January 2024The concluding scene of Wagner’s four-opera slog through Norse mythology ends with the Immolation Scene. Its action is described below taken from the Wikipedia article on the opera. Depending on your taste the cycle is one of art’s greatest achievements or it is a vast Sahara dotted with lush oases. I am of the latter…
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Wagner’s Operas and Medical Education
Written by Neil Kurtzman | 22nd September 2023Are Richard Wagner’s operas a potential tool to teach medical students and young doctors humanities? is the title of a paper published by Gunter Wolf a member of the Department of Internal Medicine III, University Hospital Jena. He is also an expert on the operas of Wagner. The abstract of the paper is below. At…
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Liebestod
Written by Neil Kurtzman | 21st August 2023Wagner’s writing for soprano in his iconic Tristan und Isolde is probably both the most demanding and representative of his entire oeuvre. For the part’s full realization a singer of extraordinary power, art, and flexibility is required. The same requirements are needed for the the tenor who sings Tristan, but he’s for another day. In…
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Finale 37 – Act I Lohengrin
Written by Neil Kurtzman | 30th March 2023Wagner’s most performed opera, Lohengrin, returned to the Met this season after hiatus of 17 years. It is also the only Wagner opera we know for certain that Verdi saw in performance. This was on November 9, 1871 in Bologna. He left detailed notes on his impression of the work. The Bologna production was the…
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Lohengrin in HD
Written by Neil Kurtzman | 19th March 2023Wagner’s most popular opera returned to the Met this season after an absence of almost 17 years. This new production was directed by François Girard with sets and costume by Tim Yip. The staging uses stark walls and a circular device through which moved a succession of moons. Stars dominated the third act. The choristers…
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The Ring Operas And Anti-Semitism
Written by Neil Kurtzman | 8th March 2022That Wagner was anti-Semitic is indisputable. The extent to which his prejudice entered his operas is much less certain. Eric Nelson, the Robert M. Beren Professor of Government at Harvard, recently published Wagner and the Anti-Semitism of ‘the Ring’ in Commentary. Professor Nelson approaches this subject from an unusual position. He knows the Ring operas…
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Finale 28 – Das Rheingold
Written by Neil Kurtzman | 7th April 2021Wagner wrote the librettos for the four Ring operas in reverse order. The music, however, was composed in the correct sequence. Das Rheingold lays the foundation for the long slog ahead. As it’s all in one act, allowing no chance for a bathroom break, it lasts only 2 hours and 20 minutes, give or take…
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Giuseppe Borgatti
Written by Neil Kurtzman | 25th March 2021Giuseppe Borgatti (1871-1950) was Italy’s first heldentenor. He was born and raised in rural northern Italy. Apparently he grew up illiterate. His voice was discovered during his compulsory military service. A wealthy patron sponsored both his musical and reading lessons. He made his operatic debut at age 21 as Gounod’s Faust. He became famous when…
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The Ghost in the Machine – A Cautionary Tale
Written by Neil Kurtzman | 16th January 2021This article is almost a quarter of a century old. I wrote it for a print magazine and then published it here more than a decade ago. It’s buried in the site’s archives. I thought I’d give it fresh exposure and accordingly am resurrecting it. There’s a companion piece that I may also renew. It…
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The Met Must Cancel Wagner
Written by Neil Kurtzman | 24th July 2020The Metropolitan Opera has recently sent two of its biggest stars down the wormhole – James Levine and Placido Domingo. Before we get to the big enchilada, the subject of this piece, there are lesser players whose memory must be erased. Enrico Caruso, he was a fanny picher and was arrested and fined for the…
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