I recently wrote that the title role in Verdi’s Otello was unique and so difficult to fully realize that it needed a tenor so gifted that the role might belong to a class of its own – The Otello Tenor. The role requires a tenor with the strength of an offensive tackle and the finesse…
Part 1 of this list is here. Aida (Verdi, 1871) was composed to open the new Cairo Opera House. It was written to a libretto by Antonio Ghislanzoni, which in turn was based on a scenario developed by the French Egyptologist Auguste Mariette. Because of the Franco-Prussian War of 1870 its sets made in Paris…
This list grew to such length that I decided to split it into two parts. The first 12 operas discussed are here. The remaining 13 will be in the next post. A few disclaimers before I start my list. This sort of compendium is just for fun. There can be no definitive list of the…
Vincenzo Bellini’s final opera, first produced in 1835, the year of his death at age 33, was telecast today by the Metropolitan Opera. This new production was staged by Charles Edwards who also designed the sets. If you ask any singer or conductor what their artistic goal is, they will say that it’s to realize…
Star tenor Jonas Kaufmann recently announced that he would no longer appear at Covent Garden in London and at the Met in New York. It’s been more than seven years since he last appeared at the Met, and that was after a four year absence. Kaufmann expressed dissatisfaction with how the Met treated its chorus…
“Ombra mai fu”, also known as “Largo from Xerxes” or “Handel’s Largo”, is the opening aria from the opera Serse (1738) by George Frideric Handel. Serse is an opera seria in three acts. It was first performed at the King’s Theatre, Haymarket on 15 April 1738. It was a complete failure lasting for only five…
The Met added Giordano’s Andrea Chénier to its HD series today. The opera, the composer’s only hit, is a rousing four act distillation of the French Revolution. It has three demanding parts for tenor, soprano, and baritone. While the opera is considered a prime example of the verismo school of Italian opera, it requires singers…
This season the Met staged only one Verdi opera, La Traviata. Next season it appears there will only be two: A new production of Macbeth, which will open the season, and a revival of Aida. My subject is why the Met is steering away from the work of opera’s greatest and most performed composer. I…
Librettist Hugo von Hofmannsthal finished the last of the six librettos he wrote for Richard Strauss in 1929 – the year of his death. The resultant opera, Arabella, did not appear until 1933. There are several reasons for this delay, but the biggest is likely the absence of Hofmannsthal to revise the libretto, as it…
Is it a zombie? Animate but lifeless? It’s probably too soon to tell, but it’s well on its way to the six-foot trench. Is the terminal event linked to the Met alone or to the art form in general? A caveat, I’m not as good at predicting the future as was Yogi Berra, so you…