The renowned septet from Offenbach’s final work is of uncertain origin. It was not in the original score and its source remains a riddle. The opera was written for the Opéra-Comique and was to have spoken dialogues. It was incomplete at the composer’s death in 1860. Ernest Guiraud completed the piece and added the recitatives….
During the nearly half century that followed the premiere of Verdi’s Nabucco only two Italian operas not by Verdi entered the standard operatic repertoire – so complete was his dominance. The two survivors are Boito’s Mefistofele and Ponchielli’s La Gioconda. Amilcare Ponchielli (1834-86) was born in a small town near Cremona. He studied at the…
Hamlet returned to the Met after a 12 year absence. This time, however, it was not the 19th century French forgettable by Ambroise Thomas, but the 2017 opera by Brett Dean. The reason for the 2010 revival, which was the return of an opera not mounted by the company since 1895, was the the impersonation…
This was Donizetti’s bel canto masterpiece’s third HD telecast by the Met. The previous two were of Mary Zimmerman’s benighted production. Donizetti set the scene in the 17th century as did Walter Scott who wrote The Bride of Lammermoor on which the libretto is loosely based. Zimmerman moved the story to the 19th century. Australian…
Limmie Pulliam is an American tenor who is just emerging to operatic prominence. As you’ll hear from the excerpts below he is a dramatic tenor ideally suited for the big Verdi tenor roles. Later this month he is due to sing three performances of the master’s Otello in a concert version with the Cleveland Symphony…
Puccini’s farewell to opera returned for the third time as part of the Met’s HD series. Franco Zeffirelli’s brick for brick reconstruction of Imperial Peking will likely survive the heat death of the universe. The assembly of the Act 2 set takes longer than many of the operas in the Mets repertory. This go around…
The third month? No. The region on the Adriatic coast of Italy? No. The kind with music and soldiers. Though the form is typically brisk and commonly associated with parades and halftime shows, it is pliable and is often connected with less than happy events. Here are a bunch of them, in no particular order…
The Met’s new production of Lucia Di Lammermoor staged by Simon Stone has been roughly handled by several critics. It received its second performance last night which was broadcast on the Met’s radio network. The show will be telecast on May 21. I decided to listen to it without the gouts of blood and high…
Last night the Met broadcast one of its current run of Puccini’s masterpiece – it was the 898th time the company has presented the opera. The current Butterfly is Italian soprano Eleonora Buratto. She was good in a part that demands great. Tepid applause after ‘Un bel di’ and none after Butterfly’s moment of triumph…
The universe is not only stranger than you think, it’s stranger than you can imagine – Richard Feynman Well, a great melody is more mysterious than the universe. John Stuart Mill was said to worry that the number of great melodies was finite and that we would soon exhaust the supply. When I first heard…