Hector Berlioz (1803-1860) completed three operas. The second of these, Les Troyens, is based on Books Two and Four of the Aeneid. Berlioz wrote the libretto himself. It took him two years to write the words and music for the opera, from 1856 to 1858. Most musicologists consider it to be his masterpiece. It’s as impressive…
Death and opera are as linked as bacon and eggs. The subject of this short series of articles is wholesale death – death that kills not only the principals, but the supers as well. This grim occurrence often gets the composer’s best effort, which is my excuse for presenting it. I’ll start with Meyerbeer. He…
The Metropolitan Opera has announced the operas that will be telecast next season. They are listed below. For further details about the telecasts and the upcoming season, please visit this link. A few comments about these shows. Two Bellini operas out of a total of eight is an oddity. The first of these will mark…
Rossini is life. Nowhere is this vitality as evident as in his Barber. The 24 year old composer was already a veteran when he composed his paen to mirth and human folly. Bart Sher’s production dates back to 2006, but still works. The Barber is so good that it can survive almost anything thrown at…
The Met’s new production of Strauss’s Mach 2 one-act opera was telecast today. Director Claus Guth, who made his Met debut in this production, placed the location in a dark building in some hard to place time. It certainly wasn’t biblical Galilee or Perea. Before I get to the performance, a word about inflation. Up…
The subject is operas with prisons or prisoners as part, or all, of their story. I’ve got a dozen of them here. There are more, but 12 are enough. They’re not in chronological order, but rather as seems logical to me. The ultimate prison opera is of course Beethoven’s Fidelio. The entire work take place…
The video below is an interview with Franco Corelli (1921-2003) made around 1990. It’s in Italian, but it has English subtitles. The interviewer is not the most facile; nevertheless, Corelli’s comments are very interesting. Besides being on the short list of the greatest tenors of the last century, he was a sensitive and intelligent commentator…
Mario Del Monaco (1915-1985) was the great Italian dramatic tenor of the last century. The dramatic tenor is a rare specimen. He is distinguished from the spinto tenor by the baritonal timbre of his sound combined with powerful high notes reaching to C5. It is the voice Verdi had in mind when he wrote Otello….
Maria Caniglia (1905-1979) was a spinto soprano who sang at many of the major opera houses, though her career was mainly in Italy. She was a regular performer at La Scala and then at the Rome Opera House. She opened the 1938 Met season as Desdemona in Verdi’s Otello. After 14 performances during the 38-39…
Lubbock’s classical music station is KLZK 105.7. Its program “The Front Row is a weekday program devoted to coverage of the art and cultural community on the South Plains. Host Clint Barrick unpacks the musical, artistic, theatrical, and cultural events offered to the public and interviews the movers and shakers who create, sponsor, and provide…