Category Archives: Verdi
Verdi’s Priests
Written by Neil Kurtzman | 31st July 2022Giuseppe Verdi as was typical of 19th century liberal intellectuals was distinctively anti-clerical. Accordingly, the priests in his operas are not usually sympathetically portrayed. Here are a few depicted in different ways. Verdi’s first success, Nabucco, was about the Babylonian Captivity of the Hebrews. It starts in the Temple of Solomon. The Israelites pray as…
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Don Carlos in HD
Written by Neil Kurtzman | 27th March 2022No Verdi opera has as many versions as Don Carlos. There are at least eight. Alas, the composer never designated any of them as definitive. The Met has done both four and five act Italian versions, but never until this season the five act French original. Well, not really the original. The Met’s current go…
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Finale 32 – I Vespri Siciliani Act 3
Written by Neil Kurtzman | 14th February 2022Verdi’s The Sicilian Vespers was written to a French text by Eugene Scribe – Les vêpres siciliennes. It first appeared at the Paris Opera in 1855. Its French iteration was unsuccessful and it disappeared from France, and most of the rest of the operatic world, until fairly recently. In its Italian form is was more…
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Rigoletto in HD – 2022
Written by Neil Kurtzman | 29th January 2022The Met seems to have a problem finding the locale of Verdi’s dark masterpiece. They moved it from Mantua to Las Vegas in 2013. That production didn’t last long; it was replaced this year by one set in the capital city of the Weimar Republic. Why? Who knows? Which site is weirder? Hard to tell….
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Finale 30 – Luisa Miller Act 1
Written by Neil Kurtzman | 8th August 2021Luisa Miller was first performed at the Teatro San Carlo, Naples in 1849. It was Verdi’s 15th opera (if you count Jérusalem the rewrite of I Lombardi for Paris as a separate work). It didn’t reach the Met until 1929 when it had six performances extending into 1930. The cast was a grand one. It…
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Finale 29 – La Traviata Act 2
Written by Neil Kurtzman | 8th May 2021La Traviata is an opera full of highlights. Much of its music its familiar to listeners who are not opera enthusiasts. But popular as it is, the finale to the second act is rarely heard apart from a complete performance. Nevertheless, this ensemble is one of Verdi’s grandest achievements. The world’s most popular opera, Traviata…
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Nonets and More
Written by Neil Kurtzman | 16th December 2020Writing for nine distinct voices in opera is rare. I can only think of two examples without a deep dive into opera arcana [If there are other examples, let me know]. First, Act 1 scene 2 of Verdi’s Falstaff. And if that’s not enough Verdi goes on to write for 10. This complex writing occurs…
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The Verdi Soprano – Pace, Pace, Mio Dio!
Written by Neil Kurtzman | 11th August 2020Verdi wrote soprano parts for a variety of vocal types. The roles of Abigaille (Nabucco), Violetta (Traviata), and Leonora (Trovatore and Forza) have quite different requirements. The first asks for a spinto capable of both forceful declamation and great agility, but floated high notes and a velvet tone are not needed. Traviata seems as though…
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Finale 24 – La Forza Del Destino
Written by Neil Kurtzman | 31st July 2020Verdi started to threaten to retire before he was 50. After composing Un Ballo in Maschera he said he was done and that the life of a gentleman farmer was to be his for the remainder of his life. In 1861 he was approached by the great tenor Enrico Tamberlick, acting as an agent for…
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Verdi Otello Kaufmann
Written by Neil Kurtzman | 23rd July 2020Jonas Kaufmann sang the title role Otello for the first time in 2017. The venue was London’s Royal Opera House. Antonio Pappano conducted then as he does on the CD of Verdi’s masterpiece issued earlier this year by Sony . Both tenor and conductor seemed to have a slightly tenuous grasp of Verdi’s penultimate opera…
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