Tag Archives: caricatures

The Recordings Of Enrico Caruso 1911 – 1913

Caruso returned to the recording studio in November of 1911. Two of the arias he recorded were from Leoncavallo’s La Boheme. This opera might have had a chance at modest success if Puccini’s extraordinary setting of the same story hadn’t appeared at about  the same time. In Leoncavallo’s version Marcello is sung by a tenor.


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The Recordings of Enrico Caruso 1910

Caruso made 25 recording in 1910. Here’s a selection, Solo, profugo, reietto, from Flowtow’s Martha that’s not “M’appari”. It’s almost never played today. Caruso was in splendid voice and makes a fine case for this rarity. The bass in Marcel Journet. The number also shows the tenor’s liberal use of portamento; tenors today are a…


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The Recordings of Enrico Caruso 1908 – 1909

More than a year separated Caruso’s last recording in 1907 from his first in 1908. In July he recorded (for the second time) the quartet from Rigoletto (Bella figlia dell’amore). His colleagues were Marcella Sembrich, Gina Severina, and Antonio Scotti. This recording finds him at the peak of his powers. Notice how the acoustic horn…


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The Recordings of Enrico Caruso 1905 – 1907

Caruso’s only recording session in 1905 took place in New York on February 27th. He recorded just five numbers. He was again accompanied only by a piano. Though still singing French arias in Italian, the two French selections are the most successful. Caruso’s vocal control was getting more secure. Still he fell back on falsetto…


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The Recordings of Enrico Caruso 1902 – 1904

In the mid 1950’s RCA Records issued a deluxe compilation of many of Enrico Caruso’s recordings. The multi-disc set was enclosed in a faux leather case and contained a well illustrated booklet written (though not with strict accuracy) by the Met’s then assistant general manager Francis Robinson. Since purchasing that collection, I’ve been buying different…


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