Tag Archives: finale

Finale 36 – Act II La Rondine
Written by Neil Kurtzman | 21st December 2022La Rondine (The Swallow) is the 8th of Puccini’s 12 operas. It is the least performed of his mature works. It was commissioned in 1913 by Vienna’s Carltheater. They wanted a lighter and more entertaining opera in the style of Strauss’s Der Rosenkavalier. The result was more in the style of Lehar with touches of…
› Read the full entry

Finale 34 – Act III La Gioconda
Written by Neil Kurtzman | 16th June 2022During the nearly half century that followed the premiere of Verdi’s Nabucco only two Italian operas not by Verdi entered the standard operatic repertoire – so complete was his dominance. The two survivors are Boito’s Mefistofele and Ponchielli’s La Gioconda. Amilcare Ponchielli (1834-86) was born in a small town near Cremona. He studied at the…
› Read the full entry

Finale 30 – Luisa Miller Act 1
Written by Neil Kurtzman | 8th August 2021Luisa Miller was first performed at the Teatro San Carlo, Naples in 1849. It was Verdi’s 15th opera (if you count Jérusalem the rewrite of I Lombardi for Paris as a separate work). It didn’t reach the Met until 1929 when it had six performances extending into 1930. The cast was a grand one. It…
› Read the full entry

Finale 29 – La Traviata Act 2
Written by Neil Kurtzman | 8th May 2021La Traviata is an opera full of highlights. Much of its music its familiar to listeners who are not opera enthusiasts. But popular as it is, the finale to the second act is rarely heard apart from a complete performance. Nevertheless, this ensemble is one of Verdi’s grandest achievements. The world’s most popular opera, Traviata…
› Read the full entry

Finale 27 – The Marriage of Figaro Act 2
Written by Neil Kurtzman | 6th January 2021The famous finale to Mozart’s comic opera begins when the door to the closet in a room Count Almaviva’s estate is opened. Both the Count and Countess think Cherubino, the Count’s page, is in the closet. The Count is about to break down the door and then decides to use his sword on the page…
› Read the full entry

Finale 26 – Il Templario Act 1
Written by Neil Kurtzman | 30th September 2020I wrote about Otto Nicolai’s second opera a couple of years ago. There’s only one complete recording of the work. It’s from the Chemnitz Opera which performed it in 2008 . The opera, based on Walter Scott’s Ivanhoe, was thought lost as its score was obliterated by bombings in World War II. It was successfully reconstructed…
› Read the full entry

Finale 25: Shostakovich: Symphony No. 11 in G Minor, Op. 103 “The Year 1905”- 4. The Tocsin
Written by Neil Kurtzman | 9th September 2020Written and first performed in 1957, Shostakovich’s Symphony #11 was ostensibly about the abortive Russian Revolution of 1905. Everything the composer wrote or said after Stalin squashed him in 1935 because the dictator was offended by Lady Macbeth of Mtsensk has to be decoded. He composed the piece in the wake of the Soviet repression…
› Read the full entry

Finale 24 – La Forza Del Destino
Written by Neil Kurtzman | 31st July 2020Verdi started to threaten to retire before he was 50. After composing Un Ballo in Maschera he said he was done and that the life of a gentleman farmer was to be his for the remainder of his life. In 1861 he was approached by the great tenor Enrico Tamberlick, acting as an agent for…
› Read the full entry

Finale 23 – Otello Act 3
Written by Neil Kurtzman | 7th May 2020I’ve previously written about this finale, but it’s so good that I thought I’d post another version of it to compliment the three posted in June 2018. The great concertatos that fill Verdi’s operas return in a spectacular conclusion to Act 3 of Verdi’s Otello. Though Verdi’s great ensembles are glorious and unsurpassed, they had…
› Read the full entry

Finale 21 – Lucrezia Borgia Prologue
Written by Neil Kurtzman | 30th June 2019Renaissance Italy’s infamous poisoner, at least in her operatic incarnation, was the subject of Gaetano Donizetti’s 24th opera (give or take a few, even the composer himself wasn’t sure how many operas he wrote). It’s a fine work that has received just one performance at the Met. That was in 1904 with Caruso in the…
› Read the full entry