Category Archives: Opera
Is the Met Opera Dead?
Written by Neil Kurtzman | 8th November 2025Is it a zombie? Animate but lifeless? It’s probably too soon to tell, but it’s well on its way to the six-foot trench. Is the terminal event linked to the Met alone or to the art form in general? A caveat, I’m not as good at predicting the future as was Yogi Berra, so you…
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Invano Alvaro
Written by Neil Kurtzman | 1st November 2025‘Invano Alvaro’ is the last of three tenor-bartitone duets that grace Verdi’s La Forza Del Destino. All three are excellent, but the final one is likely the best such duet ever written by the composer. It’s in the same class as ‘Quando al mio sen per te parlava’ from Act 3 of I Vespri Siciliani…
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O Tu Palermo
Written by Neil Kurtzman | 23rd October 2025Of all Verdi’s mature works (ie, post Rigoletto), his The Sicilian Vespers in either its French or Italian versions is the least performed. This neglect is hard to explain as the opera is a splendid work exhibiting all the characteristics that make its composer the master of the lyric theater. The bass aria ‘O tu…
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La Sonnambula in HD 2025
Written by Neil Kurtzman | 18th October 2025Today’s telecast of Bellini’s soprano showcase revealed the numerous problems that have been afflicting the Met during the tenure of its general manager, Peter Gelb. Not that there was a problem with the show – which was fine, it’s issues surrounding the production that reflect the company’s difficulties. First is the need for a new…
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Neil Shicoff
Written by Neil Kurtzman | 12th October 2025Neil Shicoff (b 1949) is an American tenor who has attained great success both in America and Europe. A native of Brooklyn, he is the son of the cantor Sidney Shicoff. The younger Shicoff trained as a cantor as well as studying singing at Juilliard. He made his operatic debut in the title role in…
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La Sonnambula at the Met – Very Brief Review
Written by Neil Kurtzman | 7th October 2025‘The Met’s new production of Bellini’s La Sonnambula was broadcast over the company’s Sirius channel last night. It featured Nadine Sierra in the title role. Spanish tenor Xabier Anduaga was Elvino. Sierra has all the vocal bells and whistles necessary to realize Belini’s sleepwalking canary. She is the reason for this production. Anduaga, on the…
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Aldo Protti
Written by Neil Kurtzman | 27th September 2025Aldo Protti (1920–1995) was a fine Italian baritone active in the middle of the last century. His prime coincided with that of a host of other outstanding Italian and American baritones. That is the reason he is not as well remembered as he deserves. But at his best he was a consummate artist who fully…
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When Getting It Right Doesn’t Matter
Written by Neil Kurtzman | 14th September 2025I recently read a review of a movie that involved historical events. The review was generally favorable; its only criticism was that the history was not accurate. I didn’t think about this for very long. I watched the movie and enjoyed it. I quickly forgot the film (and its name) as well as its supposed…
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Selections From Un Ballo In Maschera
Written by Neil Kurtzman | 9th September 2025Verdi’s A Masked Ball has been both popular and in the standard operatic repertory since its premiere in 1859. The opera is virtually perfect; its composer was at the peak of his formidable powers. It has everything: great arias for high soprano, dramatic soprano, contralto, tenor, baritone, and wonderful ensemble pieces. Though I’ve written about…
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The Catalog Aria From Don Giovanni
Written by Neil Kurtzman | 26th August 2025Don Giovanni needs no further praise from anyone; it is one of opera’s supreme masterpieces. It has been the subject of more interpretations than sin. Leporello, the Don’s put upon servant, is as interesting a character as is the Don. His Act 1 ‘Catalog Aria’ (Madamina, il catalogo è questo) is as famous as anything…
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