Category Archives: Opera

Giuseppe Bellantoni

Written by Neil Kurtzman | 7th June 2020

Giuseppe Bellantoni (1880-1946) was another outstanding Italian baritone whom opera seems to have forgotten. Born in Messina, Sicily he went to Rome in his early 20s to study under the legendary baritone Antonio Cotogni (1831-1918). Alas, Cortogni’s career preceded the recording era. Everyone including Verdi and Toscanini thought him the prince of baritones. When his…


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Domenico Viglione Borghese

Written by Neil Kurtzman | 31st May 2020

Domenico Viglione Borghese (1877-1957) was an Italian baritone who was active at a time when there was an abundance of first rate Italian baritones. This unusual confluence of fine singers explains why Viglione Borghese is virtually forgotten today. Born the same years as Tita Ruffo, his path to the top of the operatic world was…


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Lethal Tenors

Written by Neil Kurtzman | 19th May 2020

Serious operas typically end with one or more of the principals dead. The tenor is more often victim than perp. The following excerpts are from operas where the tenor is the killer, an unusual occurrence in an art form where tenors are usually the good guys. First Verdi’s Luisa Miller. The following description is adapted…


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Maria Stuarda Not in HD

Written by Neil Kurtzman | 9th May 2020

Today was to be the final HD telecast of the Met’s 2019-20 season. But the company is as closed as an open mind. To compensate the Met broadcast, no TV, a 2013 performance of the opera that was to have been on had not the virus paralyzed the world. Maria Stuarda was Donizetti’s 100,345th opera…


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Finale 23 – Otello Act 3

Written by Neil Kurtzman | 7th May 2020

I’ve previously written about this finale, but it’s so good that I thought I’d post another version of it to compliment the three posted in June 2018. The great concertatos that fill Verdi’s operas return in a spectacular conclusion to Act 3 of Verdi’s Otello. Though Verdi’s great ensembles are glorious and unsurpassed, they had…


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Opera Interludes

Written by Neil Kurtzman | 21st April 2020

My subject is the instrumental music that occurs during a scene or between two. Excluded are overtures, preludes, and ballet music. Sometimes the distinction between an interlude or intermezzo and a prelude can be precious, but if the music below is called an interlude, an intermezzo, or in one case a meditation I accepted it…


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Church Scenes

Written by Neil Kurtzman | 12th April 2020

I recently wrote about the last few minutes of the first act of Tosca, which is set in a church – Sant’Andrea della Valle. There are other operas which have scenes in a church or houses of worship, five are presented below. Giacomo Meyerbeer was a German composer who tried to follow the style of…


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Scarpia Sings Again

Written by Neil Kurtzman | 22nd March 2020

Baritones are rarely heroes in opera. But they usually have at least one redeeming characteristic. Rigoletto loves his daughter, Macbeth accepts his fate with manly resignation, etc. Iago in Verdi’s Otello is 100% villain. There’s nothing remotely good about him. He’s the devil’s spawn.  Puccini isn’t as generous to baritones as was Verdi. But he…


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Chamber Music By Opera Composers

Written by Neil Kurtzman | 14th March 2020

Most opera composers are specialists. There are only four greats who are equally noted for both operatic and instrumental music – Monteverdi, Handel, Mozart, and Strauss. Chamber music is defined as: “Instrumental music played by a small ensemble, with one player to a part, the most important form being the string quartet which developed in…


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Recondita Armonia

Written by Neil Kurtzman | 12th March 2020

Tosca has two great tenor arias. Everyone knows the third act’s ‘E lucevan le stelle’. ‘Recondita armonia’, the subject of this article, appears in the first act only minutes after the show has started. It requires a different approach from its more famous brother. It needs a full voiced sound without the filatura and pianissimo…


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