Ford, the UAW, and the Public Option

November 3, 2009

If you want any further proof that government run health insurance will run private health insurance into the ground look at Ford and the United Auto Workers. The union which along with the federal government owns GM and Chrysler has refused to adjust its contract with Ford to match that which it has with the government owned auto makers. “The deal would have brought the automaker’s labor costs in line with General Motors Co GM.UL and Chrysler Group LLC, both of which won additional concessions as part of their government-financed bankruptcies.” [Quotation from the above link.] The union’s rationale for rejecting contractual readjustments is that Ford is in better economic shape than its American rivals. Not for long if Ford’s labor costs are much greater than its competitors.

The UAW made concessions to GM and Chrysler because the government forced them to. When the government runs a health insurance scheme it will do the same thing. It will adjust its contracts any way it wishes. If these readjustments lose money the tax payers will cover the difference. Private health insurance companies will suffer the Ford Effect. They can only lose.

Ford took no federal money and ran its business better than its bankrupt but bailed out competitors. It’s now going to suffer for doing a better job than its profligate and mendicant competition.   This is the new American way.

And while we’re at it, how does Ford negotiate with the UAW which owns a piece of GM and Chrysler. Is there not some conflict of interest here? It’s not just the camel’s  nose that’s getting into the tent.

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The Limitations of Cancer Screening

November 1, 2009

A recent article in the JAMA has received a lot of coverage in the lay press. It analyzes screening for breast and prostate cancer. Critics of both screening tests (including me) have, over many years, pointed out the problems inherent in screening for any disease, but most specifically these two. We mostly have been ignored.

The rationale driving screening for these two cancers (or indeed any cancer) is that the earlier the tumor is diagnosed the better the likelihood for cure. Screening for these two cancers has had limited or no effect on treatment outcomes. First we need to distinguish survival time from mortality. Assume a patient has a cancer which will kill him in 10 years irrespective of treatment. If the diagnosis is made nine years after the onset of the cancer survival time is one year. If the diagnosis is made one year after onset survival is nine years. But the patient dies at exactly the same time. Survival has increased without affecting mortality. It took decades to make surgeons and oncologists admit to this bias of the early diagnosis of a tumor that lacked effective treatment. They have, in the main, refocused on age adjusted mortality which gives a better picture of where we are regarding diagnosis and treatment of cancer. But an improvement in age adjusted mortality cannot distinguish a salutary effect secondary to early diagnosis from that due to new and effective treatment.

Next assume another scenario. The patient has a tumor of such low grade malignancy that he will die of something else before the “cancer” kills him. Here early diagnosis and treatment seem to have cured the patient. He’s diagnosed, treated, and seemingly “cured”. But there’s no other possible scenario. He was never going to die from his tumor no matter how much or how little was done to or for him.

Both these scenarios offer the patient nothing but side effects without any therapeutic benefit. In both of them the patient would have been better off never to have been screened. The figure below from the JAMA paper shows four different screening outcomes.  Cancer progression is plotted against time.

cancer screening

Four cancer screening outcomes

Tumor A never gets large enough to cause any problem. If it were not detected by a very sensitive screening technique the patient would live his life in blissful ignorance of its presence. Tumor B gets big enough to be detected by imaging or by a biopsy, but it too never causes a threat to life or health. Tumor C will eventually metastasize and kill the patient if not detected early and treated. Tumor D is so malignant that it likely has spread before it can be detected and treated. Note that screening is of no benefit in three of these four tumors.

There is another possible scenario that is typically overlooked by physicians in this field. In this one the tumor spreads as soon as it appears. It doesn’t have to go through the stages on the figure. Here again screening will be useless.

Perhaps as high as 90% of prostate cancers will cause no harm. treating them, however, causes significant morbidity. “Even in breast cancer, for which there is evidence and agreement that screening saves lives, …for every breast cancer averted, even in the age group for which screening is least controversial (age 50-70 years), 838 women must undergo screening for 6 years, generating thousands of screens, hundreds of biopsies, and many cancers treated as if they were life threatening when they are not.” [The quotation is from the JAMA paper linked above.]

Managing these diseases would be vastly improved if they were like colon cancer. Here we can identify benign polyps that if not removed would become malignant. Thus we can prevent colon cancer rather than having to treat it. Screening in this instance makes a lot of sense.

Our problem is that we have difficulty telling the tumors that will benefit from screening and early diagnosis from those that won’t, though we are getting better at differentiating them. The authors of this study make several recommendations, all of which are reasonable.

1. Develop and validate biomarkers to differentiate significant and minimal risk cancers.
2. Reduce treatment burden for minimal risk disease. Rightly believing that a lot is in a name, they advise not calling minimal risk disease cancer. The word is too loaded to use casually.
3. Develop tools to support informed decisions. Yet another plea for doctors to talk to their patients about the implications of screening before they do it.
4. Focus on prevention for the highest risk patients. This is easier said than done, but we are making progress here and should do better in the near future.

We’ve been trying to get both physicians and patients to face up to the complexity of screening for years. This holds true for screening for any disease. This paper should help a bit.

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House Healthcare Bill

October 29, 2009

Below is the complete text of the House Healthcare Bill – all 1990 pages. I haven’t read it but a quick search finds “tax” in it about 275 times. I wonder if anyone has read it.

House HCR bill

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How to Get off a Plane Stuck on the Tarmac

October 28, 2009

About 400,000 airline passengers a year get stuck on the tarmac for three hours or more. This counts only domestic flights. Congress has been debating a Passenger’s Bill of Rights since before Abraham was circumcised. The airlines have an infinity of reasons against its enactment. The gruesome details can be read here.

As should be clear by now Congress is not good at problem solving. Individual initiative is required. So here’s how to get off of a plane that’s stuck on the tarmac. Fairness requires that this technique only be used after three hours of waiting time and when basic humanitarian needs are not being met, ie the lavatories no longer work, there’s no food or water available, the baby next to you is puking and screaming – you know the complete list of horrors. While this will work 100% of the time be prudent with its use.

Tell the flight attendant that you have chest pain. If you want to gild the symptomatic lily tell her its sub-sternal (below the breast bone) and that it’s radiating down your left arm. You’ll be off the plane faster than you can say “deregulation”. The plane will most likely return to the gate allowing everyone to exit after you’ve been carried off on a stretcher. But there’s the possibility that an ambulance may be sent to the plane allowing only you to leave. Thus it’s best to recruit a few fellow passengers to also complain of crushing chest pain. This epidemic of putative acute coronary disease will ensure that the plane returns to the gate.

Once off the plane (be sure to take you carry on items with you) you can get up from the stretcher and declare that you want no further treatment. The the paramedics cannot force you to go to the hospital. Parenthetically, this method also gets you to the front of the line at any hospital emergency room, but here the consequences may be undesirable.

Travelers of the world complain. You have nothing to lose but your clots.

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Aida in HD

October 24, 2009
Photo: Marty Sohl/Metropolitan Opera

Photo: Marty Sohl/Metropolitan Opera

Verdi’s love triangle extravaganza was  broadcast today (Oct 24, 2009) live throughout the known world in HD. This performance was one of the series most successful. The singing and orchestral playing were responsible for the emotional energy that flowed from the 1109th performance by the Met of an opera which everyone knows, but which requires great voices and a great orchestra to succeed.

Violeta Urmana - Photo: Marty Sohl/Metropolitan Opera

Violeta Urmana - Photo: Marty Sohl/Metropolitan Opera

Lithuanian soprano Violeta Urmana made her Met debut in 2001 as Kundry in Parsifal. She then sang Eboli (a mezzo role) in Verdi’s Don Carlo. She is now a full time soprano. She’s currently alternating Isolde with Aida at different venues. She has an edgy voice that occasionally is shrill in its high register. Nevertheless, she managed to float some lovely high notes though there’s a break in her voice when she makes the transition from loud to soft. If Zinka Milanov was the ultimate Aida and Leontyne Price was the next level down, Urmana is one further stage below, but she still is very good.

Johan Botha - Photo: Marty Sohl/Metropolitan Opera

Johan Botha - Photo: Marty Sohl/Metropolitan Opera

Tenor Johan Botha was about as good as you can get as Radames. A heldentenor his voice is the same type and quality as was Ben Heppner’s before Otello knocked him out. Botha has survived that test having negotiated a run of Otello’s at the Met (as well as elsewhere) last season. He has a large and smoothly produced sound which he can modulate easily. His solution to the high B-flat at the end of “Celeste Aida” was to hit the note full voice and then to take a diminuendo which was effective without being spectacular. His singing thereafter was full voiced and nuanced. At 44 he’s got the heavy Verdi and Wagner roles to himself if he’s able to maintain his current level for a while.

Dolora Zajick - Photo: Marty Sohl/Metropolitan Opera

Dolora Zajick - Photo: Marty Sohl/Metropolitan Opera

Delora Zajick has been the queen of the Verdi mezzos for the past 20 years. She’s still unrivaled. She did everything during the Judgment Scene except detonate a hydrogen bomb. Beautiful sound, ringing high notes, and enough volume to jump start the hearing aid business, opera lovers will be talking about her for generations.

Carlo Guelfi’s baritone was tired and not bright. A journeyman performance at best. Roberto Scandiuzzi had a woolly sound that’s not particularly appealing. Amazingly, Adam Laurence Herskowitz was stressed by the Messenger’s brief appearance. Stefan Kocán did little with the thankless role of the King.

Daniele Gatti conducted well though I think the Met’s orchestra could do the opera just about as well as it did without a conductor. Gatti failed the tympani test in Act 2. Near the beginning of his solo Amonasro sings “Morte invan cercai (Death I vainly sought). This line is immediately punctuated by a thud on the drum that emphasizes the starkness of what he’s saying. This note should strike like a thunderbolt. Instead we got a hiccup. Any real Verdi conductor should understand what’s needed here.

Donald Palumbo’s chorus, as is the norm, was brilliant. Verdi’s management of large forces is beyond praise. When Aida get’s a chorus and orchestra of the very first rank an audience can understand why Benjamin Britten thought that Verdi in his later works had discovered the secret of perfection. It’s easy to take this war horse, chestnut, bromide, old saw, etc for granted given the usual pedestrian performance that’s usually encountered. But when you get great singers on a great stage the unique genius that conjured this work glows like a blue diamond.

The Met’s staging of Aida is more than 20years old, but it still looks great. The house’s super-sized stage is perfect for the opera’s epic scenes. The staging was suitably scaled for the piece’s intimate conclusion. Alexei Ratmansky was brought in to redo the choreography. The result was interesting and appealing but one doesn’t go to Aida for the dancing.

Not only were the opera’s great climaxes realized, but it’s poignant and gentle ending was just as well done. An outstanding performance. Just one final note. The three protagonists, especially Botha, were animated ads for the metabolic syndrome. I fear for their continued good health absent a dietary readjustment.

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